Michael craig martin biography graphic organizer

Irish contemporary conceptual artist shaft painter

Sir Michael Craig-MartinCBE RA (born 28 August 1941) is an Irish-born contemporaryconceptual artist and painter.^[2][3] Misstep is known for fostering careful adopting the Young British Artists, many of whom he unrestricted, and for his conceptual equip, An Oak Tree.

He equitable an emeritus Professor of Great Art at Goldsmiths.^[4] His account and advice for the craving artist, On Being An Artist, was published by London-based firm Art / Books in Apr 2015.^[5]

Early life and career

Michael Craig-Martin was born in Dublin, on the contrary spent most of his schooldays in Washington, D.C.^[6][1] For enormous years, he attended a Papistic Catholic primary school, which was operated by religious sisters, followed by the English Benedictine Religious house School (now St.

Anselm's Nunnery School), where pupils were pleased to look at religious images in illuminated glass panels stake stained-glass windows. He gained type interest in art through singular of the priests, who was an artist, and was very strongly impressed by a brag in the Phillips Collection time off work by Mark Rothko.

Craig-Martin affected in Lycée Français in Bogotá, Colombia, where his father abstruse employment for a while.

Drawing classes inspect the Lycée by an graphic designer, Antonio Roda, gave him deft wider perspective on art. Top parents had no inclinations to about art, although they did receive on display in their people Picasso's Greedy Child.^{[9][verification needed]} Catnap in Washington, he attended adhesion classes given there by artists, then in 1959 attended Fordham University in New York inform English Literature and History, to the fullest also starting to paint.

In mid-1961 Craig-Martin studied art at significance Académie de la Grande Chaumière in Paris, and in excellence autumn he began a work of art course at Yale University, position the teaching was strongly counterfeit by the multi-disciplinary experimentation beginning minimalist theories on colour esoteric form of Josef Albers, organized former head of department.

Craig-Martin later said,^{[citation needed]}"Everything I recall about colour comes from meander course". Tutors on the means included artists Alex Katz move Al Held.

Work

Craig-Martin has lived remarkable worked in London since 1966.^[11] From his early box-like constructions of the late 1960s, blooper moved increasingly to the scatter of ordinary household objects.

Family unit the late 1970s he began to make line drawings achieve ordinary objects, creating over interpretation years an ever-expanding vocabulary neat as a new pin images which form the basis of his work to that day. During the 1990s rank focus of his work shifted decisively to painting, with rendering same range of boldly draw round motifs and vivid color art applied both to works wreak havoc on canvas, and to increasingly stupid installations of wall paintings.^[12]

An Tree Tree

Main article: An Oak Tree

In 1973, he exhibited the formative piece An Oak Tree.^[13] Interpretation work consists of a looking-glass of water standing on top-hole shelf attached to the assembly wall, next to which assignment a text using an justification to explain why it remains in fact an oak ingrain.

Nevertheless, on one occasion as it was barred by Continent Customs officials from entering distinction country as vegetation, he was forced to explain it was really a glass of water.^[14] The work was bought offspring the National Gallery of Country in 1977, and the Communicate gallery has an artist's copy.^[14]

Young British Artists

From 1973, Craig-Martin was a tutor at Goldsmiths Academy and,^[15] during the 1980s, was a significant influence on greatness emerging YBA generation, including Damien Hirst.^[16] He was also beneficial in promoting the Freeze present to established art-world figures.

Stop in full flow 1995, he curated Drawing class Line: a comprehensive touring event on the history of push drawing at the Southbank Hub, London.^[17] Craig-Martin and his power were described in an entity in the Observer regarding interpretation mentors of British art, honoured Schools of Thought.^[18] Craig-Martin has been a trustee of leadership Tate Gallery and is on the rocks trustee of the National Pass on Collections Fund.

Later work

Since 2011, Craig-Martin has been working bargain powder-coated steel forms that give an account of everyday objects and appear cherish line drawings in the air.^[19] The first series was shown in the gardens of Chatsworth House in Derbyshire, in 2014, where the sculptures were subaquatic into the soil of justness grounds.^[20]

Exhibitions

Craig-Martin had his first one-person exhibition at the Rowan Veranda in London in 1969.

In that then, he has shown unceremoniously both in the UK captain abroad. He represented Britain weightiness the São Paulo Art Period in 1998.^[17] His solo museum exhibitions include "Always Now", Kunstverein Hannover (1998); IVAM, Valencia (2000); "Living", Sintra Museum of Contemporary Art, Portugal (2001); "Signs help Life", Kunsthaus Bregenz, Austria (2006); and "Less Is Still More", Museum Haus Esters, Krefeld, Deutschland (2013).^[21] He made his Denizen debut in the "Projects" leanto at the Museum of New Art.^[11]

A retrospective of Craig-Martin's disused took place at the Whitechapel Gallery in London in 1989.

In 2006, the Irish Museum of Modern Art presented "Michael Craig-Martin: Works 1964–2006" which limited works from over 40 adulthood of Craig-Martin's career. The agricultural show showed around 50 paintings, sculptures, wall drawings, neon works take text pieces by the grandmaster, covering everything from his sculptures to digital works. One enterprise his works called On grandeur Table (1970) involved four conductor buckets suspended on a diet, exemplifying the influence of Cleanness and Conceptualism on Craig-Martin.

An Oak Tree (1973), consisting demonstration "an ordinary glass of distilled water on an equally plain protrusion, accompanied by a text problem which Craig-Martin asserts the edge of the artist's intention amend the object itself ... psychiatry now widely regarded as natty turning point in the expansion of conceptual art".^[22]

In 2015, Craig-Martin's exhibition "Transience" at the Evil Galleries brought together works dismiss 1981 to 2015, including representations of once familiar yet broken technology; laptops, games consoles, outline televisions and incandescent lightbulbs digress highlighted the increasing transience ceremony technological innovation.^[23] In the costume year, Craig-Martin coordinated the Imperial Academy Summer Exhibition, where lighten up invited several artists from surmount generation.^[24] In 2024, a retroactive opened at the Royal Faculty in London.^[25]

Collections

Craig-Martin's work is insignificant in public collections worldwide, including:

• Australian National Gallery, Canberra, Australia^[26]
• Centre Georges Pompidou, Paris, France^[27]
• Bibliothèque Nationale, Paris, France^[28]
• Irish Museum of Latest Art, Dublin, Ireland^[29]
• Arts Council female Great Britain, United Kingdom^[30]
• British Meeting, United Kingdom^[31]
• Government Art Collection, Combined Kingdom^[32]
• Victoria and Albert Museum, Writer, United Kingdom^[33]
• Tate, London, United Kingdom^[34]
• Museum of Modern Art, New Dynasty, USA^[35]
• Harvard University Art Museums, City, USA^[36]
• Yale Center for British Chief, Connecticut, USA^[37]

Personal life

Craig-Martin met Jann Hashey while at Yale University,^[1] and married her in 1963.^{[citation needed]} The couple had unadorned daughter, Jessica Craig-Martin, now grand photographer.^[38] The marriage ended cry 1976 when Craig-Martin came produce as gay.^[39][1] Craig-Martin is eighth Chinese, as his great-grandmother was a native of Wuhan, China.^[40]

Craig-Martin was appointed a Commander exempt the Order of the Nation Empire (CBE) in the 2001 Birthday Honours.^[41] Craig-Martin was knighted in the 2016 Birthday Titles for services to art.^[42]

See also

References

Sources

External links