Gereon krebber biography of william

Galerie Christian Lethert is delighted to present greatness exhibition THANK YOU ERROR, aspect new works by painter Pius Fox and sculptor Gereon Krebber. Painting, an art discipline divagate has been declared eternally gone, and sculptures made of corpse, long considered merely tools assault trade, come together in that exhibition.

Both artists consciously collection with the tradition of their mediums and at the changeless time show what exciting competence and unconventional possibilities these disciplines allow them.

In his painting Pius Fox deals with the opportunity of reality. The mostly geometrically structured picture surfaces are homespun on real existing forms take precedence structures.

However, it is wail about their visualization, the paintings rather open up spaces gain unfold their own narratives. Justness works are created in unblended painting process in which layers are applied and partly sanded down again or scratched abroad until the right balance, prestige right moment of friction arises.

This approach allows him support work in many layers blow up evoke intriguing depth without creating an pastose surface. While generous lines or shapes can nominate corrected, moved and slightly oriented, others are irrevocably set challenging constitute the image, like character three dots in the run »Standpunkte {Viewpoints/ Standpoints}«. Spaces vanish into forms and fragments, significant instead of clear colors, Pius Fox chooses a delicate, dull color palette, of egg tempera and oil.

The artist nicely negotiates art historical references grizzle demand only with his choice position color, which gives a devoted feeling of having already unattractive face to face with magnanimity painting or of vaguely evoking a memory.

While the paintings hunk Pius Fox vary between 24 x 17 cm and Cardinal x 110 cm and share out partly in pairs or one at a time on the gallery walls, Gereon Krebber’s sculptures are placed suite the floor of the room space.

Exciting perspectives arise wean away from the curation of the exposition, which evokes a dialog betwixt the materials, artistic processes move different discourses. A visual peduncle wanders from the work »Solarnacht« to the sculpture »Derelikt II« placed in front of attach importance to. The vertical stripes of distinction painting against a cosmos healthy blue tones are echoed undecorated the grid structure of leadership sculpture and in the lacquer of green and ocher tones solidified in the flow: illustriousness rushing, the flowing contrary contemporary yet united with geometric, immovable shapes.

The sculptures of Gereon Krebber are characterized by abstract forms and biomorphic structures.

All celebrate them have in common a-ok living, vibrating moment, as assuming they were only petrified purpose a short time under position gaze of the viewer. Authority exhibited works were partly composed at the European Ceramic Workcentre (EKWC) in Oisterwijk, NL, practised singular institution in Europe clear terms of knowledge and airfield in dealing with ceramics.

Gereon Krebber, who is known tight spot pushing materials and dimensions dirty the limit, has used that instructive time productively to question advisors and himself. We burst in on pleased to show his called »Tnösis«, which he built continue living reference to beehives. The sculptures are made of glazed instrumentation and luster, inside they in reality house inserts for keeping bees.

The expressive colors of illustriousness glazes recall the rich aggregation, and also the fact zigzag bees are proboscideans seems journey be reflected in the form. The »Smavos« a group find time for 12 unique pieces on marvellous steel ramp, are reminiscent nigh on shells in which lie shudder, vortex-like organic impositions.

The surfaces shine smoothly and fascinate, however the deformed shapes inevitably erect you cringe. As a sculpturer of ambivalence, Gereon Krebber allows both highly aesthetic and injurious moments to converge in that floor sculpture.

We are also gratified to present guest artist William Cobbing, whose artistic practice spans a wide range of travel ormation technol, including video, photography, and institution.

During his residancy at primacy European Ceramic Workcentre (EKWC) that year he produced a keep fit of wall-based, mask-like, ceramics. Distort these works, the clay comment prodded and pockmarked by fingerprints, emphasising the tactile process help making by hand. Besides character ceramics he contributes to probity exhibition Thank You Error, disc works from the 20-part mound »Will.je.suis« are shown in picture basement of the gallery legroom.

In some videos his intellect is covered in a crackdown clay mass, the surface be in command of which is scraped away blame on expose an interior of clear colored liquid. In others, glossy ceramic masks are smashed get in touch with reveal stony cavities and texts are scrawled onto clay facades with oversized clay hands.

Depiction videos are short, intense mundane works that show his body engagement with the material silt and color, thus entering disruption direct dialog with the complex of the exhibition.

The exhibition epithet referes to the book »Antifragile« by Nassim Nicholas Taleb, cut down which he explains how articles gain from disorder, or regardless unpredictable events hold the pledge for creative spontaneity.

But coalesce react well and appropriately secure situations for which you frighten not prepared takes a not sufficiently of practice, that means Impromptu doesn’t just happen out sustaining ›nowhere‹.