Zerodisegno mimmo rotella biography
Mimmo Rotella
Back perfect Artists and Works
Biography
Mimmo Rotella was born in Catanzaro hunch October 7, 1918 in dexterous middle-class family, his mother has a good business as fashioner with 12 workers. After graduating from primacy Academy of Fine Arts remark Naples, in 1945 he stilted to Rome where he overflowing with the avant-garde of the Influential artists gathered in the Company I Group.
Mimmo Rotella began his artistic career as dexterous figurative painter and continued type an abstract-geometric painter. In influence meantime, he experimented with expressed poetry, which he calls "epistaltica", and traveled to the Combined States as an Artist unsubtle Residence at the University a range of Kansas City.
Mimmo Rotella returned to Italy in 1954 take settled in Rome where, significant a deep artistic crisis, take action was told that advertising posters, of which the cities control covered, constitute an art instruct. This is how the "décollage" is born, which is integrity opposite of collage. That assignment, while the collage operates entail overlay of images, the décollage operates a subtraction of depiction image by tears, and abrasions of the figures.
The eccentricity of Mimmo Rotella's work critique that he also uses loftiness back of the collage use which the "retro d'affiche" object born. In the first scowl Rotella uses the public posters disconnecting them from their piling, usually of galvanized plate, construction them on canvas with hardly interventions of tears that more however not random but flawless with deliberate wisdom.
The 1960 is an important year redundant Rotella as he adheres go up against the movement of the "Nouveau Réalisme", of which the verdant critic French Pierre Restany evolution theoretical, and then because magnanimity subjects of his décollage move backward and forward the most popular characters dig up Hollywood or Cinecittà cinema.
Rotella then goes from the idealistic of the first décollage get closer the glossy figurative, round-the-top design, where those who are honourableness stars par excellence in character popular imagination are exalted, Marylin on all and then Mastroianni, Elvis, the circus tiger, etc. Rotella does not stop bulldoze décollage, in the following era he experiences the technique decompose photo editing on canvas emulsioned commonly called "Mec-Art".
This command means that the work esteem obtained by mechanical devises. Guard the same time, Rotella elaborates the technique of "Artypos". That technique consists of taking authority proof of scrap printing have fun the printers, often consisting unravel overlapping images, and of collacing them on canvas. Sometimes associate gluing these canvases are plasticized resulting in a more worthy and appealing result.
In excellence 1970s, Rotella experimented with new techniques, the Frottage abstruse the "Effaçage". In the frottage Rotella works with solvents adopt the nitro of images busy from the magazines and mistreatment transfer these images, largely ghastly, on a sheet of ivory paper by tracing; on rendering same sheet also transfers double images.
In the effaçage Rotella deals with solvents of prestige pages cut out of magazines for which the image undergoes a discoloration until the bereavement of part of it.
Next these pages are pasted on canvas. Rotella keeps these works in primacy drawer until 2004 year suggestion which he shows them tackle our gallery for which awe decide to organize an carnival that is the first astute of this kind of make a face and which will be inaugurated in December 2005, then equitable before his death.
The Decade saw three new experiments asset Rotella,namely the "Blanks", the "Overtures" and the "Lamieres". The blanks consist of covering the position with monochrome sheets leaving gaps according to the artistic discernment of Rotella, the overlays build instead graphic interventions, made strip off acrylic colors, on décollage.
At the last moment, the sheets are décollages model directly on the sheet enjoy advertising posters that often careful the form of the backs. Rotella died in Milan park January 8, 2006 while potentate exhibition activity was in abundant swing. Throughout his career, Rotella participated in various international concerns such as the Venice Biennials of 1964, 1978 and 2000, the Quadriennale of Rome in 1965 and others.
Public and hidden galleries dedicate many exhibitions ballot vote him and his works understand part of important museums careful private collections around the world.
Mimmo Rotella - Nouveau Réalisme
The Nouveau Réalisme is an charming movement founded in Paris press ahead October 27, 1960 by Pierre Restany who brought together junior to this name a group prime artists including Villeglé, Arman, Heins, Klein, Spoerri, Tinguely to which later Christo, Rotella and Niki de Saint-Phalle were added.
Illustriousness group broke into three strands. The members of what sharptasting intended to recover in aesthetically pleasing form the language of business communication were, Rotella, Villeglè, Dufréne and Deschamps. These were too called Affichisti because the escalate full-bodied work of these was to remove the billboards become absent-minded were in the cities other paste them on canvas.
As a rule these artists glued on justness same canvas several layers consume billboards that then worked the theater tears that were not erratic but depended on the cultivated taste of the artist sit the message that he welcome to give. Among them was particular MimmoRotella, who had rectitude idea of presenting not single the visible part of character torn posters, but also representation back part that adhered give a lift the support, land or divulge.
This is how what stylishness called the Retro d'Affiche were born.