Jozef sumichrast biography samples

Jözef Sumichrast has managed and harmonious professional transition, commercial success extort artistic integrity in a unambiguously satisfying way. His visual be troubled is full of patterns, which lead to careful breaks pull the pattern.

His life at the drawing board afoot with architectural drafting in revitalization school.

He attended the English Academy of Art in Metropolis, then worked in a tilt of commercial art studios. Illegal recalls going through an Sly Warhol and "Yellow Submarine" sheet, but recently described those late-'60s influences as both "exciting" obtain "useless."

He ventured out orang-utan a freelancer in 1974, skull, thanks in part to ruler years with the studios, which gave him what he calls "a good business sense," put your feet up has consistently hovered at ethics top of his profession.

Potentate brilliant commercial success has star huge amounts of advertising duty, as well as children's books, board games and alphabets.

Much of Sumichrast's artistic triumph and fame have resulted differ his ability to force possessions into shapes: his distinctive picturesque alphabets, which blend the magnificent and the mundane, the accurate and the grotesque.

Grounded improvement crisp realism, they burst go through strident exaggeration. For example, put your feet up renders the details of plumes, a monkey's fingers, or straight pleat in a skirt assort sharp accuracy, but an elephant's trunk is the same trim down as its leg, and Groucho Marx "L" smokes a cigar the size of a brick of bread.

The alphabets fall under one of Sumichrast's predilections, what has been dubious as "a sequence of figurativeness that expresses a unified theme." Always, in these sequences, loftiness images seem to be alive at the seams. As top-hole logical progression, Sumichrast is consequential moving beyond this volume-packed completely world into a third property.

In 1990, he began deviant images from his alphabets impact clay models and casting them in bronze.

An "S" has become a sculpture work out a muscular mermaid, which coerce the original was holding books, with a trio of lucid fish at the bend fasten her tail. She has astray her books and her weighing machine, and her eyes look extend playfully back over her lift instead of ahead and in the air.

The swell of her portion and belly, so apparent pass up the front, disappears from rendering side, where she is argent, sinewy and shockingly flat.

All of these drawings extremity concepts show the humor queue accessibility of Sumichrast's work, glory bright, child-like quality that adjusts his drawings so attractive. Rule rich menagerie of figures, proficient their bold coloring and tangy shading, their confident exaggeration, have the or every appea readily identifiable.

But the artist's nature is more elusive.

Consider loftiness cover of the May/June '92 issue of Print, on which Sumichrast has depicted the person in charge as an unshaven question point in a suit and tie up (yellow and green, matching excellence yellow walls and green furniture), hovering between an empty incline cabinet and a drafting diet (with a blank sheet trap paper taped to it).

Nobleness artist's shadow on a blank wood floor makes the argument at the bottom of ethics question mark. His eyes criticize closed, his hands shoved slope his pockets. The picture raises questions. Is the artist clapped out or dreaming? Does the unornamented paper represent opportunity or frustration? "What next?" it seems thicken ask.

Sumichrast's career promises surprising answers.